On The PodiumThe art of conductivityas the maestro explained,is that the man with the batonserves as a lightning rod,earthing intuitions from god.
BelittledThe geographyof doubt engulfs the figure,so very tiny,his shadow more prominentthan he is. Can he survive?
Explorer 2Ghosts cast no shadows.Shadow borrows its substancefrom solidity.Still the Dreamer must explorethe realm of shadows, all night.
WildernessA moment, unownedit seems. In Siberia, maybe. Winter sunetched pale on a glass plate, mysterious yet empty.
AfterwordFunerary goodsalways include coin to paythe ferry man's fee.What if we had always been wrong,If none waited by the river?The end of the linehad ever seemed likelyto leave the travelerabandoned in empty space,no hope of resolution.
The Perspective Of HokusaiThe great wave surges from the left. The image is frozen as the great tower of water crests. Slicing the mountainous sea, three fishing boats in motion from the right, are threatened with inundation when the wall of water must fall upon them as the wave breaks.On the far horizon the snow-capped peak of Mont Fuji can be seen, tiny, against the momentary bulk of the wave. Yet and boats are necessarily transient. The foreground is full of the challenge of survival, a moment in the struggle that passes fast into oblivion. The mountain, that appears so small, is wrapped in its motionless tranquillity, its snow mantle dazzles the eye.Close to,
SenselessI've lost the power of speech,become the dumbest of beasts.I've been robbed of my senses,stripped of all my defences.Your exercise of bewitching touchleaves me incapable even of remembering my name.Your witchcraft has undone so much,still you refuse to shoulder the blame.There's so much for me to learn anew,can I hope to learn it all from you?
LaddersThe rungs rise and fall,the direction is decidedby the starting pointso the climber discovers:The way up is the way down.
UnicornCan she enslave him?He surrenders his spiritto her purity.Does he then become her pet,is he her beast of burden?
Air Force Revisited.Flying fortresses,dense enough to deflect lightyet insubstantialWater drops suspended inthe high, thin air, wind sculpted.(Originally:Flying fortresses,solid enough to impede lightyet made of nothing.Water drops suspended inthe high, thin air, wind sculpted.)
PioneerThe power of flightbegins with a child's fantasy,the world left behind.
TwinsA tiny pairof siblings,yin and yang, fruit born of the same moment.Innocently, their childish eyes see only whatthere is to see.
TransportedShe stands fixated,her awareness no longerfocused on the street.nobody sees what marvelhas claimed her so completely.
The WayEnds and beginningscycle perpetually.Yang dances with Yin.
Stranded 2The end of the linehad ever seemed likelyto leave the travellerabandoned in empty space,no hope of resolution.
Framed And HungThey seem santitised, as if edited for an alien eye. Noise, colour motion, the gamut of possibility all removed. The artist has sought moments of accidental intimacy, such as occasionally flare between the myriad strangers on the city’s vibrant streets.Here a woman, hoping she instantiates glamour, unguardedly allows her loneliness to peer through her mask of aloof solitude. This child peers without guile at the black hole of the camera lens. Maybe his soul remains unstolen, but his open gaze (enlarged to occupy such space as he could not imagine) confronts a face that he will never see. The visitor to the gallery feels obscurely
The Ordeal Of A Noble LadyImagine how cruel that ancient world could be, where any moment might challenge survival. The city, cramped within its walls, seemed even so almost immeasurable to its teeming inhabitants, who, from dawn to dusk, struggled to keep encroaching poverty at bay.But there were palatial buildings too, whose denizens brocaded themselves in sumptuous cloths, cut with all the art the guild of tailors could supply. Their imposing wealth paid also for the cathedral, where vast columns of stone provided a haven to still the sharp prods of conscience.At the apex of the city the Earl’s Great Hall could be found. He was in his turn a vassal to the
Overture And Beginners1in this place is located even now millions of years before the discovery of light. Here something very ancient, something once simply the condition of the world, is preserved.Imagine a world in which the possibility of light did not exist. This is not to say that light is absent, though it may be. It is simply that its presence in this place is undetectable, as it has been through millennia of minute struggle. Tiny pieces of life persist, and divide, gaining in complexity.This barely detectable event, the moment of union when egg and sperm sacrifice their separate existences, takes place within a containing world so vast in comparison
MeltThe waters tumble,freed so recently, ableagain to surge,to achieve a unionwith the ever restless sea.
The Apotheosis Of Mind(an homage to Stephen Hawking)His explorer’s mindlocked up in a cell of unresponsive flesh,his continued existence a cruel anomaly.He clings purposefully,he arm-wrestles with the creeping deaththat is always consuming his shell.His empiry is that virtual realm created in his blossoming mind- the fruits of his unique singularity.With stubborn determination he plodsthe tortuous route that can connect himwith our intersubjective world.Denied the day-to-day affirmation we must all rely on, he has become for usone of the world’s wonders,a sacred beast, ascetic oracle who speaks with the voice of the machine.In
Self Portrait In An Upper RoomPicture me, if you will, as a saxophone. Not a bright, shiny alto sort of saxophone, strung casually around a sax section leader’s neck, nor yet a tenor of uncertain vintage, which has for years been fighting a rearguard against its owner’s propensity for sallies beyond the musical stratosphere.No. Picture a road weary baritone, a cumbersome instrument, whose gruff tones can occasionally be teased toward poetry. You might consider this no more than the autobiographist’s evasive way with facts. Attend! Listen with the inner ear. You might hear faint echoes of tunes this instrumentalist has never been brave enough to explor
ObservationYou just need focus,the tree is the simpler task.From humanityOne must expect blurred edges,truth inferred rather than seen.